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| Hints & Myths about
Argentine Tango |
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PREVIOUS
..............................................................................Close
embrace
These notes summarise
some close embrace workshops given in
Cambridge in Autumn 2004 by Jur &
Jonne from Amsterdam.
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We began
by playing with some staccato moves back
and forth along LOD:
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Leader steps forward
along LOD on his left foot but bounces
back on first contact with floor to
reverse the step and lead
follower into a forward cross step on his
right;
pivot
(Leader and Follower) 90 to face across
LOD and take open step to side but bounce
back back on first contact with floor to
reverse the step and
pivot
follower back into a forward cross step
and
pivot
(Leader and Follower) back to original
position
repeat
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and more:
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Leader steps forward
along LOD on his left foot but bounces
back on first contact with floor to
reverse the step and lead
follower into a forward cross step on his
right;
pivot
(Leader and Follower) 90 to face across
LOD and take open step to side;
Leader
steps forward along LOD on his left foot
but bounces back on first contact with
floor to reverse the step and
pivot
follower into a backward cross step and
pivot
(Leader and Follower) 90 to face across
LOD and take open step to side;
pivot
(Leader and Follower) back to original
position
repeat
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Then, in
an open practice hold, we played with
alternate giro-style moves around one
another:
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We then
practised lane discipline, keping to one
or other track on the floor
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We then
developed the boleo in close embrace:
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Lead back ocho and, at a
certain moment, leader rotates his body
to create the boleo effect. |
We then
combined the sacada and boleo in close
embrace:
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Enter cross system Pivot (Leader
and Follower) 90 and Leader steps to side
to displace follower's trailing leg in
the sacada
Leader
rotates his body to create the boleo
effect.
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NEXT
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| Explore
and enjoy! |
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La
Yuega is supported by Vecta Consulting
Limited
www.vecta5.com
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©2002-5
Frank Morris
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