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| Hints & Myths about
Argentine Tango |
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PREVIOUS
..............................................................Salon
Tango
These notes
summarise two salon tango workshops given
by Rodolfo Aguerrodi & Miho Omaki in
Cambridge in 2004.
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Round
Church in Cambridge
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Workshop
B began with a gentle gancho:
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Walking
close offset, Follower on his right; At
a certain moment, Leader's right leg is
forward and Follower's left leg is back;
Leader turns his
chest as he collects, keeping his weight
on his right leg, turning his Follower
into a side step across him and onto her
right leg;
Leader turns his
chest further, keeping his weight on his
right leg, bringing his Follower into a
forward step ...
... during which
he finds her right ankle with his left
foot, hooking it over her ankle, and
reversing the turn for a gancho.
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Thne
we did some work on posture:
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Then
a move from Follower's crusada:
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Leader
takes Follower to the crusada with her
left foot crossed weightless in front of
her right leg; Leader
places his right foot alongside Follower's
left foot;
Leader shows
intention to come back, releasing her
left foot then leads a giro to his right
accompanying her left foot with his right
foot as it lifts over her right foot;
The couple is then
free to move forward (Leader) and back (Follower)
in parallel.
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Then some more
foot play:
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Couple
walk in offset parallel; At
a certain moment, Leader touches his lead
foot alongside (either side) his Follower's
trailing foot;
On the next step
his foot accompanies hers, turning his
chest, as she steps backward so that her
foot crosses in front of her other leg,
she changes weigth and continues the
backward step on her other leg.
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Finally
we walked offset, with a decoration:
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Leader
touches his left foot forward then
crosses back in front of his right leg
before steppign forward again; Leader
touches his right foot forward then
crosses back in front of his left leg
before stepping forward again;
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NEXT
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| Explore
and enjoy! |
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Rodolfo y
Miho
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La
Yuega is supported by Vecta Consulting
Limited
www.vecta5.com
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©2002-7
Frank Morris
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