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Hints & Myths about Argentine Tango
       

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Third Lesson

The next day they learned something about a whole body pivot in which he reached out to touch the floor with his toes turned partly in the direction into which he wanted to pivot, then transferred his weight onto the ball of the new foot moving his body fully into the new direction, finally settling onto this axis as he found his balance once more.

Part of the Alhambra Palace

   
 
They applied this new skill to a move called a Forward Ocho in which he had to invite his follower to step around his side, pivot, return, and, pivotting once more, face him as they had started..

He found the simplest way to lead this move was from the fifth step of the Basic 8. By turning slightly to his left and changing his weight onto his left foot, he could unwrap his follower's right foot from behind her crossed left foot and, by taking a half-step back on his right foot and pointing it at 45 from him, draw his follower forward around him, leading with her right foot, as he turned the right side of his torso so that his upper chest was eventually at 90. By waiting until her weight had transferred onto her right foot, he found he could pivot her so she accompanied him back to their original position as he turned his chest back to the front. He found that his follower would continue repeating these ochos until he - eventually - ended the move by bringing his right leg back to join his left as she resumed her original position. They were then ready to complete the Basic 8 from his left foot forward.

Then they found how to adapt the Basic 8 by pivotting appropriately before taking any of his forward or side steps. He could see this would give him far greater flexibilty on a dance floor.

Finally that day Marta and Manuel showed them how to simplify the Basic 8; by-passing steps 5 and 6 to make a six-step box movement with optional pivots on many of the steps.

He felt he knew enough to move around a dance floor - provided noone was watching!

 
     

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Explore and enjoy!      
How my journey started
What you must do first
Getting around
Intertwining those legs
Having real fun
Swirling around the room
No limits
Tertulia Tango Bar
The Cambridge Tango Bar
Circulo de Belles Artes
Stunning UK Venue
Tango's nerve centre
Fun City
Friendly Natives
Close embrace maestros from Amsterdam
Teaching excellence
Teaching fun
Teqaching fantasia
Petroleo's apprentice
Milonga star
My first tango teachers

Marta y Manuel

     

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