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| Hints & Myths about
Argentine Tango |
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The Tango dance
has hundreds of moves and positions, each
with variations; many have specific names;
many, including giros and boleos, were
invented or reworked by Petroleo in the
1940s. Here are
descriptions of some of them; one day we'll
add photographs - or video clips!
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Senor
Tango
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adornos:
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any of the many
decorations that can be used to enhance
the appearance of a step |
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alteration:
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a move in which
the direction of a move is altered during
its execution |
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arrastre:
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a move in
which, usually, the leader's foot
actually drags the follower's foot into a
new position |
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barrida:
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any move in which
one partner's foot appears to push or
pull the other's foot along the floor as
they make a step together |
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boleo:
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any move in which
the follower's free leg appears to whip
energetically across her in front or
behind her weighted leg |
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cadena:
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a repetitive
sequence of moves in which the couple
each execute a series of - usually four -
similar moves in a chain around each
other |
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calesita:
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a move in which
the follower is drawn to lean forward
balanced on one foot while the leader
walks, forwards or backwards , in a tight
circle around her |
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colgada
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a move in which
the two partners move their torsos apart
and turn together on the same axis while
remaining vertical |
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caminita
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the famous Tango
walk |
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corrida:
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a "little run"
in which the dancers take three short
double-time steps so the feet appear to
run while the bodies continue to move at
the same pace |
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corte:
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a move which is
cut part way through |
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cortina:
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at a milonga, a
short piece of non-tango music played
between tandas to refresh the dance floor
so waiters can serve tables and new
couples form |
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crusada:
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a position in
which the free foot is crossed just in
front, or just behind, of the axis foot |
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enrosque:
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a pivot in which
one leg is crossed in front of the other |
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gancho:
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any move in which
one or both partner's lower legs seem to
hook around the other's thigh |
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giro:
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any turn, but more
usually refers to a sequence, invented by
Petroleo, of backward, side, forward, and
side steps around the leader; ocho
derecha rotates the follower to the right
while ocho izquierda rotates her to the
left |
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lapiz:
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any position where
one or other partner appears to draw
circles or other patterns on the floor
with their toe |
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llevada:
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a move similar to
the barrida but with slightly raised feet |
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milonga:
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can refer
to any tango dance event or to the
primitive form of tango danced to the tum;
ti-tum,tum 4:4 milonga beat. |
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mordida:
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a position in
which one partner's foot is sandwiched
between both feet of the other |
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ocho:
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a sequence made
from alternate forward ("ocho
adelante" or backward for "ocho
atras") steps and pivots executed in
front of the leader so the follower's
steps make a figure eight pattern on the
floor |
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ocho abierto:
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planeo:
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salon tango:
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a close
style of tango with small-scale delicate
moves, popularised in the mass milongas
of the 1930s and 1940s in downtown Buenos
Aires |
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trabada:
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| Explore
and enjoy! |
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La
Yuega is supported by Vecta Consulting
Limited
www.vecta5.com
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©2002-7
Frank Morris
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